The sums drawn from these message and their destinations also represent the group's noble aims. However, I feel the Dutch involvement somewhat diminishes the group's standing. Of course, I do not know what economic/political factors resulted in the charity's Dutch incorporation. On one hand, the multinational approach has the same effect as no censorship; it draws the group's message out of a narrow framing. The group is designed to benefit the wall's victims, though, so I feel that some effect is lost by not making the group a wholly Palestinian operation.
I am also conflicted by the Banksy videos. His work is certainly admirable and a worthy addition to the political art already present on the wall. However, as the "old Palestinian man" noted, the wall is not a chic easel. Banksy may come in for a week, send his videos to British news agencies and then leave. What understanding does he have of the wall's greater context? Perhaps I am being cynical; however, I have a hard time doubting an action so publicized was truly done out of pure altruism.
I agree with you regarding Banksy. It seemed as if he was stealing the spotlight and instead of bringing support to the people he may have been pushing his own agenda. The writing on the wall doesn't hold the same meaning when it doesn't come from the people who live there.
ReplyDeleteThe Dutch involvement does diminish the group's standing, for me at least. It kind of takes away the group's authenticity and skews their message when discovering their multinationalism.
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